The Lost Ones (Ballarat)

The Lost Ones Gallery is a contemporary art gallery that also has a Basement Bar which serves fine spirits, wine and food as well as live music.  There is a thriving arts community in Ballarat.  This is a lovely old building with a large light filled gallery space on the ground floor.  Until August 5th you can enjoy an exhibition by Steve Sedgwick.  Steve is a local Ballarat artist who paints “en plein air” (out in the open – you have to brave to paint out in the open during a Ballarat winter!) and in studio.

Steve Sedgwick‘s exhibition is titled “Painted Land”.  The en plain air works are identifiable as landscapes and painted in acrylic (dries much quicker than oil paint).  These smaller  outdoor works capture that great sense of space and time in our landscape.  When he returns to the studio memory takes over, the canvases get bigger, the brush strokes fatter  and the landscape is re-calibrated into colour blocks and lines.

The outdoor and studio works are positioned side by side which makes for an interesting juxtaposition of time and place.

Steve Sedgwick:

“Between Light” Oil on Canvas 61cm x 61cm.  (Included with Gallery consent on behalf of artist)

Steve_Sedgwick_No1_201807

“Mungo Twilight” 2017, oil on canvas 89cm x 41cm (Included with Gallery consent on behalf of artist)

Steve_Sedgwick_No2_201807

“Lake Mungo Big Sky” 2017 oil on canvas 102cm x 76cm. (Included with Gallery consent on behalf of artist)

Steve_Sedgwick_No3_201807

 

 

 

Art House Gallery (Ballarat)

The Art House Gallery in Ballarat is located in the City Centre Arcade off Sturt Street.  Exhibitions were changing when I arrived (my bad timing) nonetheless there have a variety of artists works including some previously seen (search this site for Sarah Paxton)

Ralf Kempken’s  exhibition is focused on streetscapes with, if you look closely, some great identifiable locations in Melbourne.  His use of colour and light (or absence of colour) draw you through his streetscape and create dramatic contrast.  His technique is also new to me, described by Ralf as “hybrid stencil” it creates a very interesting effect.   Even though I feel familiar, at home with his subject matter, his technique has me looking at the familiar with new eyes as it draws me in to look closer, wondering how does he do that?  I also recommend a look at his web site, Ralf obviously creates big art, great public installations in metal.  I will get out and about to find more of his public works beautifying our city (we need more great public art).

Ralf Kempken: Shady Cafe #10 Red. (Included with artist consent)

Ralph_Kempen No2_201807 (shady Cafe10)

Celebrating Ballarat – Art Gallery of Ballarat

This week I visited Ballarat to view the exhibition “Into the Light: from the Musee de la Chartreuse” at the Art Gallery of Ballarat  and also discovered three other galleries (see separate pages for galleries listed below).

The exhibition of works by french artists showed how painting developed from the clearly delineated portraits and landscapes into softer, more ephemeral, approaches, and specifically catching light in its many different displays.  The exhibition concluded with works by Australian artists who visited and were influenced by the french.  It is a good exhibition with relevant statements as to the changing approaches. They also have on display recent acquisitions – a selection of a variety works by different australian artists.

I must say I enjoyed the exhibition of art by two local Ballartat artists and recent acquisitions the most (perhaps because I looked at “Into the light” as an educational exercise whereas the other was based on emotional responses). The  artworks by Anne Chibnall and Tim Sedgwick are lively and will engage adults and children alike.

Anne Chibnall  artworks are a bright explosion of colour and enthusiasm.  They cheer you up and warm you up, even on a freezing cold Ballarat winters day.

Tim Sedgwick  is very clever.  His works are created using found objects – including shoes.  He has a trail of ants climbing up the wall around the corner and back down again.  And then a great display of ‘fish’ on two walls.  Sometimes, you need to look closely to determine what the found object is, only to  realise you are looking at a plate, or a thong, or a bottle etc.  His works are colourful, well crafted, interesting and they just work together beautifully.  Love it.

Ballarat is also celebrating the cold with a Winter Festival  that provides lots to do if you are out for a day trip a week-end stay or a school holiday stay.

Art House Gallery

The Lost Ones Gallery

the Post Office Gallery

The Post Office Gallery (Ballarat)

The Post Office Gallery is  part of Federation University Australia (located in Ballarat).  Until 15 July, the Gallery had two exhibitions:

“NAIDOC18: Because of her, we can”.

All the works are by aboriginal and Torres Strait Island artists.  This exhibition shows the breadth of contemporary aboriginal work, which included digital prints on aluminium, painting and sculpture.  There was a story well told giving context to each piece of art,

“NAIDOC18: Cooee!”

This is an group exhibition of art to quote the gallery “created through a unique collaboration between Federation College’s VET Visual Arts program, Langi Kal Kal Ararat and Hopkins Correctional Centre.”  Basically aboriginal artists in the correctional facilities are provided with the space, time and equipment to create their art.  This exhibition showed the different painter approaches to creating art.  First names only were used in attribute of the artists, protecting their identity and maintaining their privacy.

Photos of work were permitted for personal use only, so will not be displaying any images in this space.

 

GallerySmith

GallerySmith is currently exhibiting painted, photographic and ceramic artworks.  This is a large space.  Each work has space to breath and good lighting.  There is also always a good variety of great art.

This exhibition is on until 21 July 2018.

Adrian Strampp has both large and small artworks on display.  Adrian has an amazing ability to create images of the dark.  She often uses a limited palette, with wonderfully delicate tonal changes to portray the shadows within the darkness of the night, or (in my mind) the silent stillness of a frosty morning.  You need to sit for a while, watching from a distance and then get up closer to find all the nuanced changes in tone that reveal leaves, the branches of a tree, the side of a mountain or a headlamp within the landscape.  Even in her smaller untitled works she manages to conjure up for me the stillness of a river or the sea on a frosty morning.  I find her artworks to be restful and to resurrect memories of my own travel experiences.

Michelle Stanic’s artwork is large giclee prints of digital photographs she has taken of the German autobahn and Tasmanian forests.  I love the forest and bark images – particularly as the large size  suits the towering, moss covered, forest trees, with filtered sunlight.  Anyone who has visited our Tasmania forests will feel at home with these beautiful images.

Michelle Stanic “Light” 98cm x 172cm, framed 107cm x 181cm – limited edition prints.  Note: “Light” is one of a trilogy.  (Included with artist’s consent)

Michelle_Stanic_201608

Fiona Hiscock has created oversized ceramic works, pitchers, basins, bowls and smaller  plates.  The exhibition is titled “Woodland” and everything is beautifully decorated with native flora and fauna.  I love that I can actually recognise the birds.

Fiona_Hiscock_No1_201806                            Fiona_Hiscock_No2_201806

 

 

 

Tacit Galleries

Tacit Galleries in Collingwood has some great exhibitions over the next 4 weeks.

Until 1st July, Albert Koomen, Celia Bridle and “the Exquisite Palette”.

Until 15th July, Peter Newton, Anna Hamalainen and Craig Daniels

Albert Koomen has a display of portraits that celebrate men and hair;  beards and body hair, not your typical subject matter, for a portrait.  In his artists statement, Albert explains “…. aim to uncover the qualities of their handsomeness, strength, intelligence and vulnerability”.  Job well done.

Celia Bridle has created drawn and collaged works, scanned them and then created digital prints the same size as the original artwork.  Sometimes she goes back and repeats the processes, drawing over the digital image, rescanning etc. The end result is very detailed drawings (both black & white, and colour).  Where she has created depth and a 3D sense by drawing contour lines in the images.  These works are small, detailed and demand up close examination.

“The Exquisite Palette” – this is a show put on by St. Luke art store of 347 artworks, created using  small wooden artist’s palettes.  It is a fun display of the ingenuity and sense of humour of our Australian artists (and I think about 30 odd international artists).     Our artists have applied paint, sea shells, glass, enamel, feathers, sculptures, and one clever clogs, cut up the artists palette to create a miniature freight palette!  Remember everyone had to work around or incorporate into their work that damned little thumb-hole.  It has been used as a pregnant belly, a gasping mouth, filled in, used as a window to other images.  Serious thought, humour and then effort has been put into the creation of this little art works.  A fun exhibition.  Well done St. Luke and all the artists who contributed.

Craig Daniels is titled “Sebastian and the Ghosts of the Old Edo Road” in Japan.  The works include oil painting, watercolour, digital print and sculpture.  There is a whimsy and hope to many of the works but sometimes I sense (or impose) a slightly dark undertone, the way some fairy tales may do.  I love his use of simple form and bright colours.  Sebastian is a star.

Peter Newton has created eleven works that display his reaction to and memories of snorkelling in the Great Barrier Reef, from reef, to sea grass, to rock pool.  He layers colour, adding and subtracting until the image resembles his response to the location.  His colours and brush strokes / mark making has you feeling the sea grass and colourful coral swaying in the tide.

Peter Newton: “Reef #2” synthetic polymer on canvas 100 x 120cm.  Copyright Tacit Galleries and Peter Newton.  Included with artist consent.

Peter_Netwon_201806

Anne Hamalainen has another display of artistic humour.  She has a quirky take on the humanisation of our pets; her paintings put animals in human situations and, just to keep it fair, humans in animal situations.  I’m thinking our animals look much smarter and better suited to a human situation, than we humans do in an animal situation.

 

 

 

 

Australian Galleries (Melbourne)

Australian Galleries is one of my favourites and did not disappoint with works by three artists with completely different styles and subject matter.  However, you need to get in quick as this exhibition concludes on 17 June 2018.

Peter Neilson has created two large scale paintings, smaller drawings, paintings and sculptures.  I absolutely love his large scale (185cm x 200cm) works.  Beautifully executed, each component is clearly depicted.  These are busy paintings, containing many “arrangements” that work together to create a overall image which is harmonious but never boring. Do you remember the old saying a picture paints a thousand words?  I look at Peter’s paintings and start writing a story in my head – ascribing personalities to his characters and a context to their  particular arrangement based on its locations / connection other arrangements.  Look at his painting, examine it, walk away come back later – you will find something new that you missed the first time. Peter draws you into his painting and it remains new and fresh with each viewing.  That’s why I love his major works.

Peter Neilson: “The two way mirror: Cinderella as spy (never suspected, she lived happily ever after the overthrow of the Prince’s brutal junta)” 2007-08 oil on linen 185 x 200cm. © The Artist and Australian Galleries, Melbourne and Sydney. (Included with gallery / artists permission.)

Peter_Neilson_201806

Julian Twigg has created large and small seascapes.  The views are familiar to those who know St.Kilda  / Williamstown.  I often visit the foreshore around Williamstown  / Altona (great for dog walking) and watch the freighters, yachts and surfers moving through the waters.  Julian is generous with his application of paint, so you can see (and want to touch) the turbulence of the waters and darkening skies.    He captures the moody day and the grand scale of the fully laden container ships as they stand up to the blustering wind and the choppy waters, moving towards (or way from) the docks.

Julian Twigg: “Bearing down” 2016 oil on board 30 x 40cm.  © The Artist and Australian Galleries, Melbourne and Sydney. (Included with artists permission)

Julian_Twigg_No1_201806

Julian Twigg: “Six Ships, Princes Pier” 2016 oil on board 122 x 81cm.  © The Artist and Australian Galleries, Melbourne and Sydney. (Included with artists permission)

Julian_Twigg_No2_201806

 

Kit Hiller has created wonderfully evocative works of St Petersburg in Russia.  These include some wonderful portraits of famous women from Russia’s history and scenes of modern day life in the canal city.  I was drawn to the simple beauty of her portraits and the controlled use of colour in the cityscapes.  Sometimes we are so busy looking at the painting that don’t see the whole of the artwork.  Kit includes the frame in her artwork by painting it up in way that enhances the image and reminds of the intricate embellishments of Russian arts and crafts.

Kit Hiller: “A Stalin-era poet” 2017 oil on canvas 77 x 61cm. © The Artist and Australian Galleries, Melbourne and Sydney. (Included with artists permission)

Kit_Hiller_No1_201806

Kit Hiller: “Strawberries from Ukraine” 2016 oil on canvas 77 x 61cm. © The Artist and Australian Galleries, Melbourne and Sydney. (Included with artists permission)

Kit_Hiller_No2_201806

 

 

 

 

 

 

 

 

 

 

 

Neon Parc (Brunswick)

Neon Parc has galleries in both Melbourne City and Brunswick.  I visited the Brunswick Gallery which has a solo exhibition of works by  Taree Mackenzie until 23 June 2018.  This is a big space that enables large installation works to be exhibited.

Taree Mackenzie – I loved these works (there are multiple).

So you stand before a shape suspended from a ceiling,  which is in front of a large, light box mounted on a wall, and both behind an an apparently clear glass screen.   It is three dimensional,  has motion and changes colour.  The fourth dimension is you – the mobile viewer.  The artwork changes based on where you stand in relation to the screens and the moving shapes.

I found myself wondering if I should remember something from school science / physics / chemistry to explain how this works?  No – too long ago.  Children will love it, adults  will love it and both will be asking – how did she do that?

Taree Mackenzie:  “Peppers Ghost” Photo below is a cut-out from a larger photograph taken by Christo Crocker.  (Included with artists permission)

Taree_Mackenzie_201806

beinART Gallery

beinART Gallery is a lovely, bright, little gallery in Brunswick (a few short steps into a laneway / mall off Sydney Road).    The current exhibition runs to 24 June 2018 and features works by multiple, overseas artists.  They each have quite different approaches to their art and in this exhibition, all the works include visions of women. (Just 1 painting of a man managed to sneak in).

Miles Johnston (a british artist) has created delicate, whimsical visions of women in graphite.  Strangely the image of the only man included in this exhibition is just a little bit scary.

Miles Johnston: “Projection” graphite on pearl grey Stonehenge paper 17 x 24.4cm (included with artists permission)

Miles_Johnston_201806

Miles Johnston: “Mitosis” graphite on moleskin paper 13 x 21cm

Miles_Johnston_No2_201806

Kari-Lise Alexander  (an american artist) artworks draw on her scandinavian heritage.  Looking at some of her works I feel as if I am standing outside a window looking in at a woman.  She is  looking out the window, features gently divided by a rain drop sliding down the window pane, totally unaware my presence.

Scott Scheidly (an american artist) artwork has the women and the environment in close contact.  The environment may be flowers, sky or animal. Beautifully rendered, finely detailed oil paintings.

Scott Scheidly: “Halo” Acrylic on Masonite 27.9 x 35.6 cm (included with artists permission)

Scott_Scheidly_201806

Incinerator Gallery

Anyone who goes to Poyntons Nursery and walks along the Maribyrnong River near Poyntons should include a visit to the Incinerator Gallery.

Incinerator Gallery is a great community space that runs workshops and provides a three gallery spaces.  This gallery regularly includes installation art work as well as mixed media, which makes for interesting exhibitions; also they are not afraid to challenge the audience.

Rushdi Anwar is originally from Kurdistan and now based in Melbourne.  His work titled “The Patterns of Displacement” involves a structure made from remnants of discarded UNHCR tents and a video of the Arbat Refugee camp in Iraq.  It is a collaboration of works by Anwar, a refugee tailor and students/children in the camp. It will variously force you to consider what it means to be a refugee, bring a smile to your face and melancholy to your thoughts as you are also drawn to consider what the future might be for the students of this refugee school.

Group Exhibition “standing still; looking back, looking forward” is a celebration of “First Nations Identities” today.  Through the artwork and the artists statements, this exhibition lets it be known that aboriginal art is not just about dot and x-ray paintings;  that there has always been great variation in aboriginal art across a nation of multiple Aboriginal cultures. Contemporary Aboriginal and Torres Strait Island artists are making their mark in both traditional and new media.  Each artists has contributed one piece to the exhibition so I am not including images because that would give away the whole show.  You need to visit the gallery to have the full experience of these 3 D / interactive art works.

Katie West has created a visual and aural installation “Body remembering – grinding stone”.  This includes video and sounds of grinding of stone on rock and with birdsong in the background.  It is tradition,  process, intergenerational knowledge passed on, rhythmic and could become hypnotic.

Ashley Perry has created a beautiful, simple yet powerful imagery that so very easily relates to her artist statements.  It all makes sense.  Her artists statement tells of her grandmothers experiences, how their collective history is shared through generations. This 3D artwork represents story and place.  Ashley and Katie’s works, succeed individually and side by side make sense together.

Amala Groom and Nicole Monks have collaborated to make a video.  It is a simple video with a lovely vista and a sound track loop of dialogue in the Wiradjuri and Yamatji Wajarri language groups.  It relaxes, because Groom and Monks (in the video) are relaxed in the land, beside each other speaking their language.  They have created a sense of place, a special place, even though there is nothing to identify the place.  It just is where it is.

Brad Darkson (also known as Brad Harkin) has you looking at a screen and wearing a headset.  Dean Cross has used photography to capture the smashing of a colonial insult to the First Nations people.  Read their artists statements for context and to understand that Aboriginal and Torres Strait Islanders, our First Nation peoples, cannot be ‘categorised’ in a box covered with painted dots and are not all alike.